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Around the globe at large, he’s known as the man without a shirt in the sparkly vampire movie. To enthusiasts of ‘The Twilight Saga,I he’s known as Jacob Black, shape-shifting hair and rival for the romantic affections of Bella Swan. But Taylor Lautner, recently named among Moviefone’s 25 under 25, would certainly also like to be known as Finn, the prisoner with no memory, kept in a place called ‘Incarceron.’

Due date reports that Lautner is that come with star in the big-screen version regarding Catherine Fisher’s young adult sci-fi / wonderland novel. Lautner would play Finn, whom wakes up in the vast penitentiary known as Incarceron, convinced that he will not belong. Outside the prison partitions, the warden’s daughter lives in a very 17th Century world with out time, a manor house controlled by computers, exactly where she is doomed to an arranged marriage until she detects a key that may enable the two her and Finn to escape his or her fates. The real question is: Can any half-naked wolf boy carry a movie?

The teenage Lautner buffed up during a workout session to secure his position in the ‘Twilight’ sequels and has also developed somewhat as an actor. He has on board to play ‘Stretch Armstrong’ sometime in the future, and before that will be noticed in John Singleton’s ‘Abduction,’ in which he stars as a young man on the run from the KGB in Pittsburgh.

Due away next fall, shortly just before ‘The Twilight Saga: Breaking Beginning — Part 1′ hits theaters in November, ‘Abduction’ should be a good signal about Lautner’s true star probable. ‘Incarceron’ could be a good follow-up, romance as well as fantasy commingling with a thriller, but we shall have to see what kind of owners are attracted to the task with Lautner attached.

- One of the things you’ll not find on the ‘Inception’ Blu-ray is a copy of Captain christopher Nolan’s original chart of how the film’s layered heist sequence worked. You’ll find a copy of it, however, in the book ‘Inception: The Shooting Set of scripts.’

- According to Vulture, Ridley Scott’s ‘Alien’ prequel hasn’t been, as rumored, delayed a year which it will be titled simply, ‘Paradise.I The site also reports which Scott had roles in mind pertaining to Michael Fassbender (as a droid forerunners to Bishop) and Michelle Yeoh (being a tough-but-sexy woman), but that those spreading decisions were still being flexible.

- And speaking of debunking gossips, Lucas Film insists that George Lucas is just not busy buying the rights to be able to dead celebrities in order to create digital versions of them for potential films.

- James Cameron is producing a 3-D, family-friendly film based on the realm of Cirque Du Soliel to be directed by Tim Adamson (of the first two ‘Narnia’ films). The actual currently untitled project is actually about a third of the way finished, since Adamson has been busy filming Cirque Du Soliel activities in Las Vegas before shifting onto the film’s narrative through collection.

- The Playlist have accumulated the first images of Sacha Baron Cohen as well as Ben Kingsley in ‘The Invention of enormous Cabaret,’ Martin Scorsese’s 3-D adaptation of Brian Selznick’s popular children’s book.

– The first official music video for the ‘Derezzed’ track off of Daft Punk’s ‘Tron: Legacy’ score is now online. In contrast to the previous montage of clips in the movie that Disney launched and set to the track, this kind of music video does not truly feature any footage through the film.

- Jason Statham truly, really, really wants to get his hands on a copy of ‘World involving Warcraft: Cataclysm’:

Call this one the particular wacky rumor of the week.

Uk comedian and actor Mel Smith laid a bizarre bit at the foot of the Everyday Mail, saying that ‘Star Wars’ maestro George Lucas offers … been buying up the motion picture rights to dead movie stars in the hope of using computer chicanery to put them all together in the movie, so you’d have Orson Welles and Barbara Stanwyck appear alongside present day stars.

Whoa. Wait. Just what?!

Smith has worked with Lucas when before, directing the Early 90′s comedy flop ‘Radioland Murders’ for the obscenely potent producer and filmmaker. Exactly how he knows about Lucas’ current plans is unknown, meaning that while this is fascinating news, it’s possibly a lengthy jump from solid fact.

The comment comes in the centre of an interview that can be described as dangerous at best. After slamming an old ‘Not the Nine O’Clock News’ co-star, Smith goes on to say George doesn’t realize comedy, so ['Radioland Murders'] flopped. At least the idea taught me how to use CGI. George can be obsessed with it and applied too much in the last two ‘Star Wars’ films — which I thought were ghastly.

But let’s move away from Smith’s snide comments for a moment and consider the concept being presented here. Envision it: A modern movie glaring digital recreations of all of the favorite deceased movie stars. Cary Grant and Humphrey Bogart can team up to unravel a crime. James Stewart could romance Eva Marie Saint. Spencer Tracy as well as Katharine Hepburn could make another screwball comedy — possibly even with the Marx Brothers! They’re all dead! They’re not going to put up a combat! Why not?

Maybe because it would be absurdly creepy and would be like dancing on the graves of some of the finest celebrities who ever lived. Maybe since many modern animated videos can’t make caricature’s sympathetic (useless eyes!), so how can we count on them to recreate such nuanced individuals? Maybe just because they’re useless and they have a legacy set in stone and to tamper with that legacy feels like Hollywood treason.

This couldn’t survive the first time a deceased actor or actress has been reincarnated through the power regarding digital technology to take on one final part. That first time was the appearance of Laurence Olivier in the almost forgotten ‘Sky Skipper and the World of Tomorrow,I which amounted to nothing but a cameo, but still managed to develop a ruckus amongst fans regarding old school cinema. However, if you find any truth whatsoever for this rumor, it looks like the hugely ambitious Lucas plans to do far more than that.

Would you visit a movie starring digital re-creations regarding famous dead actors? The heart surely says no, however, your curious brain must be tallying.

(Via Ain’t It Cool)

No surprise that will ‘Tangled’ brushed past ‘Harry Potter as well as the Deathly Hallows: Part I’ to take the package office crown. For more dazzling box office news, you must look further down the chart, for the stunning thud made by ‘The Warrior’s Way’ (the actual week’s only new wide discharge) and the astonishing leaps manufactured by Natalie Portman’s ballet drama ‘Black Swan’ during their limited-release debut.

According to studio quotes, ‘Tangled’ raked in $21.5 million this week, bringing its 12-day total to $96.5 million. Slipping 56 percent from last week, Disney’s Rapunzel animated was still coasting on unanimously optimistic word-of-mouth and strong reviews, a more family-friendly rating than ‘Deathly Hallows,’ and those 3-D surcharges.

‘Harry Potter,’ which have been showing signs of slowed down momentum as early as its next weekend (which was last week, any time ‘Tangled’ came within a hair of beating it), fell faster than ‘Tangled,’ dropping 66 percent this weekend to an approximated $16.7 million. Still, it must easily pass $250 million in the couple of days, well within three weeks of its release.

Like ‘Tangled,’ some other movies showing an impressively slow decline this weekend had been ‘Burlesque,’ ‘Unstoppable’ and ‘Love and Other Drug treatments.’ ‘Burlesque’ danced into third position this weekend with an estimated $6.One million, down just 49 per cent from its debut last week. Even with middling reviews, the Cher-Christina Aguliera musical technology is getting strong word of mouth from the target audience, for whom it delivers on the campy spectacle their ads have promised. Their 12-day total is just shy involving $27 million.

‘Unstoppable’ keeps living up to its name. The runaway train thriller tied for 3rd place with ‘Burlesque’ with an believed $6.1 million. (Final numbers launched Monday will probably find one or other pulling ahead.) That’s down just 47 % from last week, for a four-weekend total of $68.9 million.

‘Love and also other Drugs’ fell just 41 per cent in its second weekend. This scored an estimated $5.7 zillion, good for fifth place. Such as ‘Burlesque,’ it’s overcome poor quality reviews with positive word-of-mouth, robust adult appeal, and plenty of nonsense over its steaminess. Its 12-day total is $22.6 million.

Hype ‘s what ‘The Warrior’s Way’ could have used more of. The only real new movie this week that had even close to a wide discharge (in 1,622 theaters), the martial arts/western had been sitting on a shelf for pretty much three years, had a star along with a first-time director unknown in the Ough.S., opened without screening for critics, and may get confused viewers who didn’t know what to expect from its genre-mixing. Plus, it absolutely was vying for action fans while using still-popular ‘Unstoppable’ and even last week’s box business office disappointment ‘Faster,’ which no less than could boast a common leading man in Dwayne Johnson.

About all ‘The Warrior’s Way’ had going for it turned out a lack of competition from other brand-new wide releases. Predictions went in the range of $5 million, nevertheless the film opened with an approximated $3.1 million, taking the No. 9 spot on the chart.

Just a couple rungs down, at Zero. 13, ‘Black Swan’ opened with an approximated $1.4 million, an impressive variety for just 18 screens. This is a per-screen average of $77,459, a number capped this year only by previous week’s release of ‘The King’s Speech’ ($88,862 on each of four screens). Both movies tend to be riding a wave associated with Oscar buzz (‘Black Swan’ for Portman’s performance, ‘King’s Speech’ pertaining to Colin Firth’s), while ‘Black Swan’ has also enjoyed months of hype over Portman’s torrid on-screen contact with Mila Kunis. Watch for this one for you to vault up the chart as it goes nationwide over the next few weeks.

The full top 10:

1. ‘Tangled,Ha $21.5 million (3,603 screens), $96.5 million total

Only two. ‘Harry Potter and the Deathly Hallows: Part My spouse and i,’ $16.7 million (4,125), $244.2 million

3. ‘Burlesque,’ $6.1 million (3,037), $27.0 thousand

3. ‘Unstoppable,’ $6.1 million (3,152), $68.9 million

5. ‘Love along with other Drugs,’ $5.7 trillion (2,458), $22.6 million

6. ‘Megamind,I $5.0 million (3,173), $136.Seven million

7. ‘Due Date,I $4.2 million (2,450), $91.2 million

8. ‘Faster,’ $3.8-10 million (2,470), $18.1 million

Being unfaithful. ‘The Warrior’s Way,’ $3.1 million (1,622), new release

10. ‘The Next 3 Days,’ $2.7 trillion (2,236), $18.4 million

•Comply with Gary Susman on Twitter @garysusman.

: Is a comment even required? [via Buzzfeed]

- Disney has advanced ‘The Muppets’ from its previous Christmas Next year release to a Thanksgiving Next year release in hopes that it will maintain their holiday weekend winning streak alive and strong.

- ComingSoon.net has a handful of on-set snaps of Emma Stone since Gwen Stacy, Peter Parker’s love interest, within the new ‘Spider-Man.’

- The existing British TV show ‘RentaGhost’ has been acquired by Warner Bros. for feature video development. Russell Brand will superstar in the ‘Beetlejuice’-esque film about a useless guy who starts a new temp agency for many other ghosts who would like to be more successful in the afterlife than they were inside their actual lives.

- In a very move that should surprise nobody, Magnet Releasing has snapped up distribution rights to Jerr Eisner’s ‘Hobo With a Shotgun,’ which stars Rutger Hauer as a transient vigilante, ahead of their debut at Sundance.

- Kingdom Online have debuted a whole new, darker poster for Jon Favreau’s ‘Cowboys & Aliens’:

- Devon Sawa, Mischa Barton and also Michael Clarke Duncan are all set to star in the Pittsburgh-set horror film, ‘Sibling.’ Details are thin, though the trio will be playing a police officer, a guidance counselor and a main, respectively, and filming will take place almost entirely with a local middle school.

- Marcus Nispel’s reboot of the ‘Conan’ franchise (starring Jason Momoa in Schwarzenegger’s role) will now be released under the film’s original moniker, ‘Conan the particular Barbarian.’

- For those nevertheless following the shocking murder of high profile Hollywood publicist Ronni Chasen, it appears as though the thing that was originally called an execution-style taking pictures was a simple robbery eliminated bad.

- Fans involving handsome men walking around might choose to check out these photos associated with Chris Pine and Tom Hardy from the set of ‘This Means Battle.’

- Paramount offers given the greenlight to screenwriter Tag Carter for a new draft of, and potential directing duties on, ‘Serial Killer Times,’ an adaptation of David Prill’s 1996 novel in regards to a town that puts by using an annual parade for the birth of its cherished serial monster.

- The first footage with regard to Bradley Cooper’s new film, ‘Limitless,’ offers hit the web in the form of the viral ad for the wonder drug his character finds out in the film:

- Just in Japan can you purchase ‘Star Wars’-themed USB hand warmers:

All of us pulled a bait as well as switch on you — this story isn’t some kind of mondo video regarding Zac Efron getting shot in a gunfight, it is certainly just a blurb for his latest, um, film. That’s right, Zac Efron isn’t just regarding lookin’, kids — he’s for actin’ too, and according to Deadline he will be starring as a fight-prone along with death-obsessed young society man trying to find love in all the wrong places. Media Rights Capital can be pursuing the script for ‘Die inside a Gunfight,’ which comes thanks to recent NYU grads Andrew Barrer along with Gabriel Ferrari.

Society man? We shall buy that for a greenback (ok, not really). Fight-prone? Not so much. Inside film, Efron’s character pursues any romance with the daughter involving his father’s enemy, that will allow the shaggy-haired heartthrob to flex their eyelash muscles. It’s hard to focus on the exact tone and establishing for ‘Gunfight’ since Deadline defined the film in Come early july as a high octane action software, but the word society offers period drama written around it. Vulture added this for the mix in July, tagging it a Tarantino-esque blend of ‘Gossip Girl,I ‘True Romance,’ and ‘Romeo as well as Juliet.’ Efron [will] play Ben, a good underachieving, deadbeat son of a famous Nyc high-society attorney who gets themself in over his go when he falls for your daughter of his father’s nemesis — a girl who is by now busy being stalked by an obsessive French professor. Hmm.

Strike the comments section and tell us which way you see this one heading. More importantly, will Efron be capable of geting his hands dirty sufficient to make a believable hothead?

The debatable documentary ‘Catfish’ debuted at the 2010 Sundance Film Festival to a tsunami of hype as vague mainly because it was ecstatic — nine months and one memorable (if painfully contrived) trailer later, the $30,000 film swept by way of America’s art house cinemas to the tidy tune involving $3 million. Ostensibly the true account of a plucky New York filmmaker’s Facebook romantic relationship with the women of a Midwestern family, ‘Catfish’ was successfully promoted like a mystery thriller dependent upon its secrets. More often than not, however, conversations concerning the flick eventually became about the veracity of the company’s details and circumstances, and filmmakers Ariel Schulman and Henry Joost were place on trial as if the press were Oprah and they ended up James Frey.

The debate was uncomfortable to watch, as skepticism in the direction of modern media is thematically central to the film, and the belief that any documentary can (or even should) be totally objective was debunked decades ago. The controversy was obviously lucrative for everyone involved, even if ‘Catfish’s’ biggest reveal had been that it was too trite and simple-minded to warrant a real fuss in the first place.

But if there is certainly one thing audiences hate, it is M. Night Shyamalan movies getting fooled. Curious minds nonetheless demand to know whether or not ‘Catfish’ is really a hoax, especially those curious minds that might be owed some cash when the film is revealed to get been staged. The company directors have sworn time and time again that every little thing happened as we see it within the movie, but The Hollywood Reporter is claiming that an unforeseen source of legal pressure may well force them to fully reveal the extent to which that they bent the truth.

And below come the spoilers:

So Nev — the inexplicably tramp-stamped hero — is having a bit of a crush on Megan, the supposed sexpot daughter of the household with which he’s become enamored. One day, Megan sends Nev a song that she composed for him. It’s after revealed in the film that Megan (and the rest of her family) is actually Angela, a sad older girl who has mastered the world of web 2 ..0 in a desperate bid for friendship, and that your song her foxiest persona registered for Nev was actually a melody by singer-songwriter Amy Kuney. Kuney is signed in order to Spin Move Records, as well as the label was initially pretty jazzed in regards to the whole thing, even going so far as to post about it on their website (The artist is great, but also simple enough that she can believably match your massive web of lies!).

Spin Move failed to even ask Relatively Media pertaining to compensation, as ‘Catfish’ is a documented and thus free to ignore copyrights within the guise of fair use. But then someone at Spin Move realized that it isn’t fair use if ‘Catfish’ isn’t a documentary, and decided to be all: Yes, it was cool when we offered it to them for free, but wouldn’t it be even cooler whenever they paid us an ungodly sum of cash for it!? It’s the same time-honored logic that’s supported lucrative corporations like prostitution and Hulu Plus, also it was only a matter of time prior to the boutique Santa Monica record brand sought their due settlement.

According to The Hollywood Reporter, Spin Move Records (which is held by Threshold Media Corp.) continues to be trying to get Relativity to pay them certification fees for a while, but the individuals behind the film are generally refusing to relent. ‘Catfish’ producer Marc Smerling claims that, This is definitely good use because it’s a true story, but he’s well aware that will any prolonged legal combat would force the filmmakers in order to divulge precious details about their film under oath. Smerling implemented his comment by adding: We have been hoping to come to a fair and also equitable arrangement with them, which certainly reads as if this kind of tussle will end in an undisclosed settlement of some kind. Of course, that Relativity Advertising and co. would rather work out than openly discuss your tactics with which they produced ‘Catfish’ supports the notion that the movie was even more manufactured as compared to viewers might expect.

The idea might ultimately be moot, but the details of this particular movie are generally infinitely less interesting than the questions a potential court circumstance might raise about the delicate relationship between copyright infraction and documentary filmmaking. When Joaquin Phoenix arizona sat on David Letterman’s sofa and revealed that ‘I’m Still This i was a hoax, the night time host jokingly(?) demanded to be paid a hefty sum with regard to his unwitting appearance in the film. The whole thing was obviously laughed off, but don’t be surprised if 2010 goes down as the last year in which use was commonly determined to be reasonable.

There’s definitely a good irony that the apex involving great success and acclaim culminates together with you sitting helplessly in a large area while a bunch of your friends and colleagues do their best to be able to playfully humiliate you in front of an enormous crowd. Filmmaker Quentin Tarantino, the polarizing genius powering ‘Pulp Fiction’ and ‘Inglourious Basterds,’ is the most up-to-date in a long line of popular personalities to get the Friar’s Club Roast, and as anyone who has seen his / her films could tell you, the guy has enough strange eccentricities and fascinations to make him a very easy target.

Unfortunately, video doesn’t seem to exist of the occasion (at least not yet), but The Artist Reporter was in attendance and it has helpfully shared many of the evening’s very best moments. Check out that url for the full rundown, nevertheless let’s take a look at some of the highlights.

1. Samuel L. Jackson has been the roastmaster (of course) and he thanked Tarantino regarding casting him in ‘Pulp Fiction’ and also giving him the profession he has today — but that has been after he called your pet a walking Spaghetti American and commented that he ought to be introduced as Quentin Super Travel Tarantino Presley.

2. Tarantino’s drug use became fodder in the hands of Sarah Silverman that quipped that Tarantino turning down any directing job on ‘Speed’ had been the first time he turned down rate.

3. Comedy writer Jeff Ross took a few shots in Tarantino’s penchant for homage, saying that Tarantino will be the Italian word for plagiarism and the man …already roasted better types of [him] so …You’re just like Martin Scoresoso.

4. The main event of the roast (which Filmdrunk has recounted in great detail) was Uma Thurman which, after telling a few fear tales about the infamously chaotic ‘Kill Bill’ established, filled her shoe together with wine and made Tarantino drink the idea, which was a nice little jab at the director’s not-too-hidden foot fetish. She also provided up this little doozy …

Throughout our long along with glorious – and inglourious * relationship, we’ve had our own ups and downs, but for now I’ll only focus on Kill Bill. Deep in the desert, late one evening around four am, finally my phone accidentally went off [during a take]. And Quentin screamed, as he really does, ‘Whose phone is that!? Whoever’s phone that is certainly is dead!’ And I said, from the dirt heap I was half buried underneath, ‘That was my phone, really, so leave the team alone.’ And he stated ‘You let your phone disappear one more time and I’ll allow you to regret the day you ever started acting!’ And I screamed back again, ‘That happened a long time ago, motherf**ker!

5. Really the only not-funny presenter of the day seemed to be, not surprisingly, the reliably unfunny Rob Schneider, that commented on the absence of John Travolta, whose dead career ended up being resuscitated by Tarantino in the mid-90s: There was any Fags in Denial Who Believe in Aliens convention.

Other presenters with the evening included Harvey Keitel, Bret Ratner, Kathy Griffin, Richard Belzer, Whitney Cummings and also ‘Shaun of the Dead’ director Edgar Wright. Non-speaking attendees provided Howard Stern, Joe Frazier, Anna Kendrick, Chazz Palminteri, Harry Belafonte, Chad and Harvey Weinstein, Eli Wallach, Neve Campbell, Steve Buscemi, Rosario Dawson, Patricia Arquette, Cheech Marin, Dick Cavett and also Jow Pantoliano, an eclectic mix of men and women if there ever was one, a perfect representation of Tarantino’s ability to mix classy filmmaking and sleazy schlock and also to appeal to refined cineastes as well as young boys looking for a cheap excitement.

UPDATED: Check out four additional new images following the jump.

Yep, there’s the very first official photo from the approaching ‘Pirates of the Caribbean: On Stranger Tides,’ courtesy of USA Nowadays. As you can see, it’s Captain Port Sparrow (the dashing Johnny Depp) plus a new character named Angelica (the particular lovely Penelope Cruz) perusing a new swamp, surely in the midst of some sort of pirate-related venture. Feel free to click on that url and take a gander at a significantly larger version with the image (or check out the entire version — along with one other brand-new image — after the jump).

A lot more interesting than that pic is some of the plot specifics spilled in the accompanying write-up. We all knew the video would be about Captain Port and his nemesis Captain Barbossa (your consistently reliable Geoffrey Rush) contending to find the fountain of youth, but there appears to be a bit more to it when compared with that. The article describes a scene from the movie:

Over a blustery gray morning in the Coloured Hall of the Old Noble Naval College, Johnny Depp’s seafarer is being pulled forward by guards to have an audience with King George 2 (Richard Griffiths), who wants him to seek the Fountain of Youth … The offer goes badly, as expected.

Leader Jack and Barbossa working for the person? Even pirates are finding ways to sell out.

In addition to Jack, Barbossa, Cruz’s Angelica and the king of England, your film will also feature famous brands Blackbeard (the certified badass Ian McShane) and a friendly mermaid (the awesomely named Astrid Berges-Frisbey). Most of the minor supporting characters turn to return as well, but as previously reported, Orlando Bloom’s Will Turner and Keira Knightley’s Elizabeth will be no place to be found, their characters thankfully retired from the franchise.

You would be hard pressed to find anyone who failed to think this series went completely off the rails using ‘Pirates of the Caribbean: At World’s End,’ but the fourth entry appears to be a brand new experience, free of the previous three films’ complicated baggage. Stripping down the tale to the bare essentials along with adding a handful of new figure actors while removing the dead weight? It sounds like Disney world learned their lesson from that last film, your plot of which remains any confounding puzzle box even 3 years after its release. Together with characters this fun along with a world this unique, you don’t need a twisting and turning plot and an exhausting mythology — you just need Leader Jack and Barbossa going head-to-head.

‘Pirates with the Caribbean: On Stranger Tides’ hits theaters on May 30.

UPDATED: Check out the new images below, courtesy of Yahoo

Late last week we mentioned that Irrfan Khan (the police inspector in ‘Slumdog Millionaire’) had been cast as a second bad guy in the 3D ‘Spider-Man’ reboot because of out in 2012. At the time just about all we had was the brand Van Adder, which at first failed to make much sense to anyone. This wasn’t an antique Spider-Man character, or even one who ended up being widely known, so folks were understandably curious as to that this Van Adder actually has been. Well, a full name and some more searches have finally given us the answer: Khan will be playing Nels Vehicle Adder, a character who appeared quite briefly in the comics as an employee of Oscorp Industries, the weapons manufacturer run through Norman Osborn (aka Green Goblin).

Within the comics, Osborn had used his partner’s incomplete notes around the Goblin serum and tested it out about Van Adder, slowly driving your pet insane while turning him into a weird, red satanic force goblin named Proto-Goblin. The other powers fond of Van Adder via the Goblin serum include large claws, talons, fangs, glowing green eye, and near impenetrable epidermis. It is not clear yet precisely how his origins will change to the film, but knowing his / her beginnings were at Oscorp probably means they’re setting it up pertaining to Green Goblin to appear in afterwards sequels (perhaps as the villain in part two).

If they do adhere somewhat close to the original article, then expect either Norman Osborn and/or his partner Mendel Stromm to be forged (perhaps secretly?) soon.

At the same time, Khan briefly spoke about the function to the New York Times. Check out his statements after the hop.

Khan doesn’t seem to even know his or her character’s name yet, but this individual did have this to convey: He’s a character who, I do think, was not in the comics or even a minor character. I’ve go through some pages, but the complete script hasn’t been made available to us. On whether he’s carried out any training: You don’t carry out training for action. You’re looking forward to action. You just strap your self into a harness and get. So there ya go — at least we know he’ll be in a harness at some point.